Misophonia
Poetry
by Emily Banks
That’s when I started noticing
how loud she chewed—somewhere between
New York and New Orleans where we’d see
her mother’s body buried.
My first time on a plane. As if a switch
was hit and then the gum
between her teeth, the squelching sound
saliva makes as lips smack shut,
was all I heard. Her mother was dead
and we were going to look
at her dead body, face powdered
and perfume sprayed so we wouldn’t think
about what cancer does and I hadn’t decided
yet whether I’d look.
That’s when I realized other people chewed
with their mouths closed so nobody
would see the meaty insides of their lips,
wet muscles of their tongues, but my mother
would make you look because the body
is always beautiful, or something
she would say. The last time
I’d seen her mother, I saw the way her gums
had dried a porous brown and I tried
not to calculate how old she was.
The white-toothed stewardess
motioned safety instructions for just in case
our plane would crash. That’s when I started
hinting, asking, “Aren’t you finished
with that piece of gum?” and holding out a wrapper
for her to spit it in. Her mother had just died
and I knew I shouldn’t tell her, but it felt
like shards of glass grinding into my ears
and she just laughed, then said she was laughing
so she wouldn’t cry. That’s when I started
moving my chair away from her at meals,
my eyes fixed on some corner
of bookshelf space. I did decide to look
at my grandmother, dead, her face
still pretty and I wasn’t afraid
like I was scared I’d be, but the skin of her cheek
felt like cold wax when I leaned down to it
and I tried not to think that I had kissed
somebody dead, that I had seen a body,
dead, for the first time and all the chemicals
that stiffened her, concealer caked to make her
look alive would seep away and leave
her bare and then—I wouldn’t think. That’s when
the wet noise of consumption wouldn’t stop,
a rapid beat like droplets on my skull
and after, her tongue wandering her teeth
to gather bits of food that might decay.
That’s when I knew some sounds you can’t drown out,
even with the hard part of your palms
pressed down over both ears, folded
into themselves, heating to red
as your plane flattens out and hits the ground.
Emily Banks is a doctoral candidate and poetry lecturer at Emory University. She received her
MFA from the University of Maryland and her BA from UNC–Chapel Hill. Her work has
appeared in numerous journals, including Cimarron Review, storySouth, Yemassee, Free State Review, Muse/A Journal, and Pembroke Magazine. Her first collection, Mother Water, is
forthcoming from Lynx House Press.